Of Life is a Dream

I'm playing catchup at the moment, so things are a little out of order. Hence, after telling you about my Saturday evening's activities in my post yesterday, I now need to backtrack to share with you all the delights of my Friday night's entertainment. I was at a conference about translation in the Early Modern period, held at St. John's College, on both Friday and Saturday. The talks were fascinating, but on Friday I had to slip off after the morning session, in order to meet up with my mum and catch the bus to London. I spent the entire bus journey in a state of High Excitement, for that evening we were first going to enjoy a delicious meal at one of my favourite London restaurants, and then we had a date with Dominic West at the Donmar Warehouse, to see one of my most highly anticipated theatre events of the season: Life is a Dream.

The evening got off to a great start with dinner at the lovely Mon Plaisir in Covent Garden's Monmouth Street. We were early enough to have the chance to wander around Covent Garden first, and I managed to pick up a couple of Christmas presents, as well as one or two things for myself (!) in between admiring the festive decorations and laughing at the street acts that crowd the piazza. Mon Plaisir is London's oldest French restaurant, and it is always a good choice for excellent but reasonably priced Gallic cuisine. On Friday evening I enjoyed a particularly good duck pate with grated truffle, before moving on to some delicious partridge. I was also particularly pleased to spy a favourite red wine on the restaurant's list: Bourgogne Passetoutgrains, a glass of which was the perfect accompaniment to my meal.

We were both too full for pudding, so skipped the final course in order to make our way around the corner to the Donmar. After having enjoyed my first visit there earlier this year, I was very much looking forward to returning. I was also highly excited about seeing the play itself, as I know very little about Spanish Golden Age theatre, despite the fact that I work on seventeenth-century English literature. Life is a Dream (or, to give it its original title, La vida es sueno) was written by the Spanish playwright Pedro Calderon de la Barca, and was first published in 1635. A little later than Sir W, therefore, but certainly well within my period of interest (even if I somehow seem to have moved away from studying any fiction in recent years!).

I must also admit, however, that not a little of my excitement arose from the fact that I was about to see Dominic West in the flesh, only a few feet away from me *swoon*. Regular readers may remember this picture of him from my rather gratuitous use of it in an earlier post, but I hope you'll excuse me if it makes another appearance here...

I have been a fan of Mr West's since my obsession with The Wire began earlier this year, and so I was really thrilled to be able to see him on stage. And I must say that neither he nor the play itself disappointed me.

The play revolves around West's character, Segismundo, a prince who has been kept ignorant of his true status, locked up throughout his life in an isolated tower. This is thanks to his father's belief in a prophecy which predicts that Segismundo will grow up to be a terrible tyrant, who will ruin his country and its people. At the time the play begins, however, the King has begun to question his actions, wondering whether, in attempting to forestall the prophecy, he may, in true Oedipul style, in fact have created the monster he sought to contain. The King's feelings of guilt lead him to give Segismundo one day of freedom, in which he will be presented with the knowledge of his true identity, and allowed to act as he sees fit. If he proves a just ruler, he will be given his freedom for always, but if the prophecy comes true, and he acts as a despot, he will be thrown back into his tower and told, upon awakening, that his day as a prince was only a dream. There are sub-plots involving wronged women, lost children, and various political and romantic intrigues, but the main focus always revolves around Segismundo, and the questions of free will and fate, nature and nurture, truth and delusion, sanity and madness.

The entire cast was excellent. To mention just a few: Rupert Evans (whom I had recently enjoyed as Frank Churchill in the BBC's recent adaptation of Emma) made a funny and suitably charming cad, Kate Fleetwood was a steely and vital Rosaria, and Sharon Small was at once regal and vulnerable. Dominic West, however, excelled, with his Segismundo being fiery, dangerous and cruel one minute, comically school-boyish the next, and pathetic and heartbreakingly confused a moment afterwards.

Ultimately, it is a story of redemption, of family, and of second chances, and I found the play deeply moving, as well as comic and exhilarating in turns. Helen Edmundson's adaptation zipped along at a fantastic pace, and I enjoyed her very modern translation, which was fresh and fast and funny. I left the theatre feeling revitalized and very happy, and looking forward even more to my next Donmar venture: Red, a new play about Philip Roth starring Alfred Molina, which I'm going to see in February.

My love of the theatre is something that Sir W shared, and in a change from normal, I leave you today with a couple of lines not from his Essayes, but from a verse epistle he wrote to his close friend, the poet John Donne (another of my favourite Early Moderns). The letter is preserved in a manuscript here in Oxford, at the Bodleian, and it makes me think that I'd have enjoyed a night out on the tiles with this pair. Or, indeed, an afternoon at the theatre, as Sir W encourages his friend to do here:

'If then, for change, for howers you seem careles,

Agree with me to lose them at the playes'.

Of Combatting Colds

Apologies for the lack of posting, but I'm rather Under The Weather at present. Although I seem to be keeping the dreaded Swine Flu at bay, I have succumbed to a rather nasty cold. This has left me with a voice that comes and goes (and always comes at a rather lower pitch than usual), and an inclination to do little more than curl up with a cup of hot water with honey and lemon and a blanket. And a good book, of course: at the moment, I'm enjoying Barbara Pym's Excellent Women. This is the only the second Pym I've read; by fluke, my first was actually her first published novel -- Some Tame Gazelle -- and it turns out that Excellent Women is her second, as well as mine. I'm very pleased to have finally read some Pym, and will be posting some more about her once I'm more myself. In the meantime, if anyone has any recommendations for any particular Pym favourites, I'd love to hear them!

I've also been snuggling up beneath the bedclothes (hurray for wireless internet!) with my laptop to continue working my way through The Wire. I'm about half way through the final season now and already becoming sad at the thought that it's nearly all over. Alongside this I've been enjoying the fact that True Blood has just come to 4oD. I wouldn't normally say I'm one for vampire dramas, but I'd had it recommended by several friends, and I must admit I'm already gripped: it's a tad melodramatic perhaps (well, it is about vampires I suppose...), but it's funny, incredibly sexy, and totally addictive. Oh, and it has the best title sequence I've seen for a while (these are getting so good now -- the one to the divine Mad Men is another personal favourite).

Right, for now, I think I might just make myself another cup of tea, make sure the tissues are within reach, and retreat to my comfort reading again until I am feeling slightly more human myself! It is perhaps fortunate in such circumstances that I can say with Sir W (in his 1600 essay 'Of Fame') that as long as I can remember,

'my occupation hath been vehemently bookish'.

Of Libraries

I spent last week wrestling with a bad cold, which kept me at home for a few days, feeling very sorry for myself and unable to do anything more strenuous than drink even more tea than usual and watch copious amounts of The Wire - to which I am a fairly late, but extremely enthusiastic, convert. I am into season 4 now and after having watched all 12 episodes of series 3 over a couple of days, I am trying to ration myself so I don't get through the last two seasons too quickly. This is proving difficult. I am also already faint with excitement at the idea of seeing Dominic West (aka McNulty) at the Donmar Warehouse this winter. Someone pass the smelling salts...

But I digress. Feeling much more myself now, I spent yesterday working at home, as I have also been doing this morning, but after lunch, Duke Humfrey beckons me to return to him. Duke Humfrey's is the rare books and manuscripts reading room of the Bodleian Library - the main library for the university. Duke Humfrey himself is long dead and buried, as one of the librarians recently had to explain to a phone caller - 'No, madam, I'm not actually Duke Humfrey...' - but his library lives on. It's a beautiful workspace, and although some of my friends complain that it is too dark and gloomy for their tastes, I find it atmospheric:

A lot of the material I have to consult for my research needs to be looked at here anyway, but even when I'm looking at more modern books, I tend to have them sent here, simply because I like it so much and find it a soothing and inspiring space to work. In truth, I am simply a sucker for anything old and pretty! By now, Duke H feels like something of a home from home: I am familiar with the librarians there, and the man on the gate who records people's entrances and exits is now able to greet me by name and write down the number on my university card (or Bod card, as it's generally known) from memory. This was a little unnerving at first, although not as unnerving as the moment when I was in M&S picking up some food, when I was pounced upon by one of the Duke H librarians. He told me that my books needed renewing and would I like him to do it for me when he got back? I accepted his offer gratefully, surprised but rather smug that I had been able to renew my books and buy my evening meal at the same time!

I recognise the other 'regulars' now, too, the ones who tramp up and down clutching sheafs of papers and muttering distractedly to themselves, or who sit staring intently at an old tome in complete silence - sometimes I wonder whether they've been there so long that they've forgotten to breathe - when suddenly they'll exclaim delightedly 'HA!!' and frantically scribble something down. These moments of ecstatic discovery never seem to happen to me, but seeing them occur to other people gives me some degree of hope! When I pause from my work, I sometimes find myself wondering who these people are, and what they're working on - are they historians or literary scholars, visitors from universities abroad or from just down the road? What is it that interests them so passionately, as they come day after day? What sort of people are they? Would I like them if we spoke together? Sometimes I can get quite carried away with this - I am terrible for constructing little imaginary histories for people I see - I do it in cafes too, trying to work out the relationships between people and wondering what their lives are like. People-watching in a cafe with a cup of coffee and something sweet is one of my favourite activities. It seems that my old friend Sir W was also inclined to make guesses about the people he encountered, although, as he describes here, sometimes it's better not to investigate whether the reality lives up to your imaginations! Today's extract comes from the essay 'Of Discourse', first published in 1600:

'In this time my eyes wandering to finde a handsome cause of Interruption, meete with a felow in blacke, backe again they come with their Intelligence and tel me they haue found a Scholler. I goe to this Vessell, and thirsting after some good licour, hastily pierce it, when there issueth medicines, or Lawe-tearmes: alas, it is either a Surgeon, or an Atturney, my expectation hath broken her neck. Well, these are places to grow fat in, not wise. Let vs trauell someplace else.'